Contemporary street photography. Its plave between art and documentary in the era of digital ubiquity.

dc.contributor.author	Belov-Belikov, Andrey
dc.date.accessioned	2017-11-14T12:25:18Z
dc.date.available	2017-11-14T12:25:18Z
dc.date.issued	2017
dc.identifier.uri	http://hdl.handle.net/11250/2466165
dc.description	Master in digital communication and culture, 2017.	nb_NO
dc.description.abstract	The thesis seeks to explore the discipline of modern street photography and how it is featured by means social networks and photo-sharing websites. The objective of the thesis is to figure out how the ubiquity of digital devices (mobile phones in particular) influences the development of street photography. The aim of the thesis is to distinguish the major trends or sub-genres of modern street photography and to find their placement on the scale between Art and Documentary, in the context of ubiquity of digital photography.	nb_NO
dc.language.iso	eng	nb_NO
dc.subject	DIGKOM	nb_NO
dc.subject	fotografi	nb_NO
dc.subject	street photography	nb_NO
dc.title	Contemporary street photography. Its plave between art and documentary in the era of digital ubiquity.	nb_NO
dc.type	Master thesis	nb_NO
dc.source.pagenumber	85	nb_NO