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dc.contributor.authorØfsti, Olav Marius
dc.date.accessioned2021-07-14T11:05:49Z
dc.date.available2021-07-14T11:05:49Z
dc.date.created2021-02-26T16:58:44Z
dc.date.issued2020
dc.identifier.citationBaltic Screen Media Review. 2020, 8 (1), 55-66.en_US
dc.identifier.issn2346-5492
dc.identifier.urihttps://hdl.handle.net/11250/2764396
dc.description.abstractThis article examines the choices made by Norwegian distribution companies during three key phases of cinema lockdown and reopening in 2020. Though the article mainly aims to chronicle this particular moment in time I find that Norwegian and Scandinavian VOD-services acted differently than international services and that, while distributor companies used several different strategies in the face of sudden change, no one was close to recouping the losses from the lack of ordinary cinematic exhibition.en_US
dc.language.isoengen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleDistributor Strategies in the Face of Closed Cinemas: Norwegian Responses to Covid-19en_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.source.pagenumber55-66en_US
dc.source.volume8en_US
dc.source.journalBaltic Screen Media Reviewen_US
dc.source.issue1en_US
dc.identifier.doihttps://doi.org/10.2478/bsmr-2020-0006
dc.identifier.cristin1894145
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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