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dc.contributor.authorMoseng, Jo Sondre
dc.contributor.authorVibeto, Håvard Andreas
dc.date.accessioned2013-03-01T12:24:54Z
dc.date.available2013-03-01T12:24:54Z
dc.date.issued2012
dc.identifier.citationMoseng, Jo Sondre, & Vibeto, Håvard. (2012). Double allegiance : Digital natives as filmmakers. Nordic Journal of Digital Literacy(4), 236-252.no_NO
dc.identifier.urihttp://hdl.handle.net/11250/134504
dc.descriptionThis is the postprint version of the article published in Nordic journal of digital literacy. The published article is available at http://www.idunn.no/ts/dk/2012/04/double_allegiance_digital_natives_as_filmmakersno_NO
dc.description.abstractThis article is based on close examination of more than 300 films screened at the Amandus film festival for young filmmakers, in the 25 year period between 1987 and 2012. The aim of the article is to highlight some of the most striking developments in this data material – aesthetically as well as thematically. The overall argument is that the Amandus films display a double allegiance to commercial movies, both in terms of their semi-professional cinematic form and in terms of the themes and moral attitudes expressed.no_NO
dc.language.isoengno_NO
dc.subjectAmandus film festivalno_NO
dc.subjectdigital nativesno_NO
dc.subjectteen-picsno_NO
dc.subjectsurface playno_NO
dc.titleDouble Allegiance: Digital Natives as Filmmakersno_NO
dc.typeJournal articleno_NO
dc.subject.nsiVDP::Humanities: 000::Movie and drama: 170::Movie science: 171no_NO
dc.source.pagenumber236-252no_NO
dc.source.journalNordic Journal of Digital Literacyno_NO
dc.source.issue4no_NO


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