Vis enkel innførsel

dc.contributor.authorHoltar, Ingrid Synneva
dc.contributor.authorLund, Maria Fosheim
dc.contributor.authorServoll, Johanne Kielland
dc.date.accessioned2023-04-17T11:35:46Z
dc.date.available2023-04-17T11:35:46Z
dc.date.created2022-10-20T11:17:51Z
dc.date.issued2022
dc.identifier.citationJournal of Scandinavian Cinema. 2022, 12 (2), 119-133.en_US
dc.identifier.issn2042-7891
dc.identifier.urihttps://hdl.handle.net/11250/3063327
dc.description© 2022 Intellect Ltd. Dette er den aksepterte versjonen av en artikkel publisert i Journal of Scandinavian Cinema. Den blir tilgjengelig fra og med 01.07.2023 etter en embargoperiode på 12 måneder. Du finner den publiserte artikkelen her: https://doi.org/10.1386/jsca_00068_1 / This is the postprint version of the article published in Journal of Scandinavian Cinem. It will be available 01.07.2023 after an embargo period of 12 months. You can find the published article here: https://doi.org/10.1386/jsca_00068_1en_US
dc.description.abstractThis article examines how gender balance in the Norwegian film sector has been narrativized, and as such is a historiographical challenge to a tendency to delineate the presence of women film directors at key dates as markers of equality. To suggest alternative trajectories, this article adopts a methodology of constellation, putting into dialogue the little-known women’s film and television network Women’s Film Forum (1982–89) and Women in Film and Television Norway (2005–present) as well as the production practices of director-writers Vibeke Løkkeberg, whose career began in the 1970s, and Itonje Søimer Guttormsen, whose first feature film premiered in 2021. Through these constellations, we explore ways to acknowledge the strategies and agencies of individual filmmakers and grassroots organizations that have addressed gender inequalities in the film and TV sectors for more than four decades and to re-frame the present moment beyond official film policies.en_US
dc.language.isoengen_US
dc.subjectFeministisk filmhistoriografien_US
dc.subjectFeminist filmhistoriographyen_US
dc.subjectFilmhistorieen_US
dc.subjectFilm historyen_US
dc.subjectFeministisk filmforskningen_US
dc.subjectFeminist film studiesen_US
dc.subjectconstellation methodologyen_US
dc.subjectgender equalityen_US
dc.subjectVibeke Løkkebergen_US
dc.subjectItonje Søimer Guttormsenen_US
dc.subjectWIFT Norwayen_US
dc.subjectmyth of Lilithen_US
dc.titleA revelation: Addressing feminist agency in Norwegian film historyen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionacceptedVersionen_US
dc.subject.nsiVDP::Filmvitenskap: 171en_US
dc.subject.nsiVDP::Film studies: 171en_US
dc.source.pagenumber119-133en_US
dc.source.volume12en_US
dc.source.journalJournal of Scandinavian Cinemaen_US
dc.source.issue2en_US
dc.identifier.doi10.1386/jsca_00068_1
dc.identifier.cristin2063171
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.fulltextpostprint
cristin.qualitycode1


Tilhørende fil(er)

Thumbnail

Denne innførselen finnes i følgende samling(er)

Vis enkel innførsel